CCI talk: Dominic McIver Lopes (online event)

Title: Aesthetic Injustice

By Dominic McIver Lopes (University of British Columbia, Philosophy)

Date: Thursday September 9, 2021

Time: 1900-2030 (GMT+3)

This is an online event. All are welcome. If you would like to listen to the talk please click on the following link when the event is due to begin. 

Zoom link:  https://zoom.us/j/92910259417?pwd=ekJveXhQRklrek8wQ1RnRnZoUktRdz09. 

Abstract: People with different cultures come into contact with each other, and the contacts can go well or they can go badly. Indeed, if justice is goodness in the arrangement of social life, then arrangements of social life that shape cultural contact can be just or unjust. This talk introduces a framework for thinking about what is special in contact between aesthetic cultures, in particular, and it proposes two interests that should be built into a theory of aesthetic justice. In proof of concept, the framework is briefly applied to cultural appropriation.

About the speaker: Dominic Lopes is Distinguished University Scholar and Professor in the Department of Philosophy at the University of British Columbia. He has worked on pictorial representation; the aesthetic and epistemic value of pictures, including scientific images; theories of art and its value; the ontology of art; computer art and new art forms; aesthetic value; and the history of aesthetics in Europe and Asia. His most recent books are a collection of his essays on methodological themes, Aesthetics on the Edge: Where Philosophy Meets the Human Sciences, a book on Being for Beauty: Aesthetic Agency and Value, and Les Arts et les images: Dialogues avec Dominic McIver Lopes. Lopes is now at work on a book on Aesthetic Injustice: A Cosmopolitan Theory. He is also co-authoring Aesthetic Life and Why It Matters with Bence Nanay and Nick Riggle, to be published by Oxford University Press this year, and The Geography of Taste with Samantha Matherne, Mohan Matthen, and Bence Nanay, which will be published by Oxford University Press  in 2022.

Organized by: Patrick Fessenbecker

 
 

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